Last week I was speaking to Dutch TV about a documentary they’re planning on the Anglo-Dutch wars, and during the course of that it emerged that the sternpiece of the Royal Charles, captured at Chatham in 1667 and a prominent exhibit at the Rijksmuseum, will be returning temporarily to the UK for an exhibition at the National Maritime Museum, Greenwich. This is fantastic news; I’ve seen the sternpiece in Amsterdam several times (here are a couple my pictures of it, taken in the days when I didn’t have a particularly decent camera!), but to have it back home, even if only briefly, will be quite something.
At about 10 a.m. on the morning of Wednesday 12 June 1667, a squadron of Dutch warships sailed up Gillingham Reach on the River Medway. Ahead of them lay a large chain, stretched taut across the river, blocking their way to the British warships that lay beyond, off the great naval dockyard at Chatham. Most of the British ships were dismasted and virtually unarmed. Lacking the money to send a proper fleet to sea for that summer’s campaign (and believing in any case that peace was imminent), King Charles II had ordered the ships to be laid up, trusting that the chain and the forts guarding the Medway would be sufficient to protect the navy against just such a Dutch attack. But most of the forts were still incomplete, and the largest and most important of them, that at Sheerness, had already fallen to the Dutch two days earlier. Still, the great chain appeared to be an insuperable obstacle, and so it might have proved but for the audacity of Jan Van Brakel, a Rotterdam captain, who volunteered to lead his ship, the Vrede, in an attack on the barrier. Under heavy fire, he attacked the guardship Unity, which protected the chain, and thanks to a supine defence by her inadequate crew, he took her without a serious fight. This allowed the fireship Pro Patria to sail directly at the chain, which broke on impact (according to the Dutch) or else sank under its own weight (according to the English). Beyond one last and easily negotiated barrier of undermanned guardships lay the most seaward of Charles II’s great ships, the Royal Charles. Only 32 of her 82 guns were still aboard, and she had virtually no crew embarked. The men ordered in haste to tow her to safety up river simply turned and fled when they saw that they were too few, and too weakly armed, to resist the approaching Dutch. A small prize crew quickly took possession of the ship, striking her British colours and replacing them with the tricolour of the United Provinces of the Netherlands.
The Royal Charles was taken back to the Netherlands and laid up at Hellevoitsluis; she had too great a draught to serve in the Dutch navy. In 1673 an operation to rescue her seems to have been contemplated, with the Earl of Ossory appointed to command it, but Charles II allegedly countermanded the order the night before Ossory was due to set out. In any case the Dutch had no further use for their prize and she was broken up that year, only the sternpiece being retained.
The fact that the sternpiece has been treated so reverently in the Netherlands is one of the best proofs of the very different treatments of the Anglo-Dutch wars in Britain and the Netherlands; this turned out to the principal theme of my phone conversation with Suzanne from Dutch TV. It is not difficult to see why. The Dutch effectively won the wars, certainly the second and third if not the first, and their victories are a key part of the mythology of their ‘golden age’, which lasted from roughly until 1580 to 1690. Thus ‘the Battle of Chatham’, as they term it, is their equivalent of Trafalgar, De Ruyter their equivalent of Nelson. As I wrote in my book Pepys’s Navy: Ships, Men and Warfare 1649-89:
In Britain…the Dutch wars are usually regarded as an embarrassing epoch of naval mediocrity, sandwiched between the more memorable (and successful) eras of Drake and Nelson. The names of the Dutch navy’s largest warships are and always have been redolent of the seventeenth century: De Ruyter, Tromp, De Zeven Provincien. Conversely, the Royal Navy has had no warship named after a battle of the age since the destroyer Solebay was broken up in 1967, none after a seaman since the frigate Russell went to the scrapyard in 1985. There has not even been a HMS Blake since the cruiser of that name was scrapped in 1982, and there has never been a HMS Pepys. The ever diminishing size of the fleet, and rampant ‘political correctness’ in the naming of British warships, means that such illustrious names are unlikely ever to go to sea again under the white ensign. Moreover, the largest surviving relic of a British warship captured by the Dutch, the sternpiece of the Royal Charles, is a prized exhibit at the Rijksmuseum in Amsterdam. What has often been suggested as the largest surviving relic of a Dutch warship captured by the British, supposedly the figurehead of the 50-gun Stavoren, captured in 1672, adorns the side wall of a pub in Suffolk.
(The pub is the Red Lion at Martlesham. In fact, the figurehead is of early eighteenth century date, though as the pub has existed since Tudor times, it is possible that the current figurehead, below left, replaced that of the Stavoren. There is clearly an English tradition of placing naval relics in pubs: another figurehead, allegedly from the Battle of Beachy Head in 1690, stands outside the Star Inn at Alfriston, Sussex, below right.)